Between
The Devil & Two Black Hearts - 8mm
Between
The Devil & Two Black Hearts
is 8mm’s best and most diversified album yet, as the duo of Sean Beavan and
Juliette Beavan have written some spectacular songs that are at times
imaginative and more ethereal like “Glimmering,” and at other times are
explosive, such as “Kin,” with its thundering guitar riffs by Sean Beavan and
heavy drum beats by Jon Nicholson.
Whereas past 8mm albums only featured Juliette Beavan’s seductive and edgy
vocals, on Between The Devil & Two Black
Hearts, Sean Beavan’s vocals are prominently displayed with songs such as
“The Weight Of You,” “Everybody Says,” and on the title song.
Sean’s voice has a rasp to it that is
appealing and contrasts nicely with Juliette’s vocals.
Less informed music fans might be quick to judge this album as being a little short on music, because there are eight songs. Think again, first of all there is only one tune under four minutes and secondly there is not one filler song on this record. These songs are well crafted and accomplish what a good album should, leaving you with your tongue hanging down to your knees, as you salivate waiting for the next 8mm album. Besides back in the day a LP (vinyl for you youngsters) often only had ten songs on it and even then there were some duds. 8mm will also be releasing a vinyl edition of this album in November.
One of the two real jewels from
Between The Devil & Two Black Hearts
is “The Weight Of You,” which paints a somewhat ominous picture of death from a
personal perspective. Sean Beavan sings the first part of the song, which starts
off slowly and the tempo builds to the mid-point of the 4:06 song, when it
really starts to rock out. At this juncture Juliette ups the ante with a gritty,
rocking vocal and uses the metaphor of death for the dying of a relationship. In
the first half of the song we have a man dying alone and in the second half of
the song Juliette Beavan paints a stark image of a deserted relationship and
heartbreak with words like, “farewell my
dear heart and my soul aches,” “damn
my arms ache for you,” and “damn my
lips are calling you.” Sean and
Juliette’s voices and their respective themes merge, almost forming a ghoulish
round. In reading this you probably think of the song as dark and depressing and
it is anything but that. No amount of words describing this song can do justice
to the brilliance of the songwriting by both artists and the mix created by Sean
Beavan.
The other crown jewel is “Around The Sun,” a signature
8mm song with stunningly beautiful vocals by Juliette Beavan, a song that lures
you in, you close your eyes and your body moves slowly, rhythmically to the
music. The guitars, as always are splendid. Sean Beavan who has built a
reputation as a brilliant producer and sound engineer for artists such as Guns
N’ Roses, Depeche Mode, No Doubt, Slayer and P.O.D, also demonstrates his
brilliance as a musician, with stellar guitar work. It is also Sean Beavan’s
electric bass that you heard on the classic Eric Carmen (The Raspberries) tune
“Hungry Eyes, “from the Dirty Dancing soundtrack.
There is a very Southwest Rock bent to “Everybody Says,”
think more along the line of early The Eagles feel, with Dave Philips’ pedal
steel guitar adding to the feel and Sean Beavan’s acoustic guitar setting the
mood. Juliette Beavan slides easily into this new vocal styling and hardcore 8mm
fans may not like hearing us say this, but we hope that in the future we have
the opportunity to listen to more songs from them like this. “Everybody Says,”
is a really, really good song. It is a crossover tune, without the ghastly
commercialized hooks and overproduction. This is a beautiful song, sung with
authenticity and frankly this writer thinks this may very well be the best vocal
performance of Juliette Beavan in the five years or so that we have known 8mm.
Between The Devil
& Two Black Hearts
is by far the best album that 8mm has released. This album expands their
audience, while preserving the same ingenious songwriting, maximizing Juliette
Beavan’s voice and the hope is that we will hear more of Sean Beavan singing on
future albums. More than anything else
Between The Devil & Two Black Hearts is very accessible to the listener.
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