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Album: Golden Apples Of The Sun / Caroline Herring / 12 tracks
Reviewed by Mike O'Cull
Flavor
is the real key to success when it comes to singer/songwriters. It’s nice
when they have a great voice or are excellent instrumentalists, but what it
comes down to at the end of the day is how interesting a given performer can
make the sum of their influences. Caroline Herring is a good example of the
positive side of the flavor equation. A product of the Austin, TX music
scene, Herring is equal parts modern, post-Joni Mitchell folk and Gillian
Welch-ish old school Americana, which sounds like a set of influences that
would pull a performer in conflicting directions, but Herring makes it work
very well. On her latest release, Golden Apples Of The Sun, she
displays different sounds on different songs rather than try to cram all her
sounds into the same composition and that makes a ton of difference.
Golden Apples Of The Sun is an intimate listen, with Herring on guitar, banjo and vocals, with only producer / multi-instrumentalist David Goodrich providing backup on the sessions. This less-produced approach keeps the focus of the album on the songs and their moods, while helping to pull the listener into the internal world of each song.
Golden Apples Of The Sun has many highlights, including Herring’s take on classics such as, “Long Black Veil,” and “See See Rider,” which she twists to her own will, rather than giving them the usual treatments. Herring adds to the mix an acoustic rendering of Cyndi Lauper’s “True Colors,” and she sets to music, the William Butler Yeats poem “Song Of The Wandering Aengus.”
Caroline Herring’s original songs hold up well while sitting in the company of the aforementioned heavyweights and tunes such as “The Dozens,” and “Tales Of The Islander,” which demonstrate that Herring is at least the equal of the artists whom she chooses to cover. Golden Apples Of The Sun illustrates that Caroline Herring is capable of taking the various musical elements which have influenced her, and in turn create refreshing acoustic music, which combines respect for tradition, with a more modern feel.
Reviewed December 2009
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Mike
O'Cull is a guitarist, teacher, songwriter, and music journalist in the
Chicago area.He performs with Midwest country music favorites The White
Saddle Band and is a long-time contributor to his hometown magazine The
Illinois Entertainer.
Visit
Mike online at his myspace site

