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Reviewed by Jeanne Hartman

ighost photo oneIn iGhost a new musical at the Lyric Theatre in Los Angeles, a young woman from Idaho faces ghosts that sing and can surf the internet but the bigger story is the fight for love and identity in this world and the next.  A musical needs a story big enough and strong enough to bring music out of the mouths of the characters.  iGhost does exactly that.             

This is a musical that makes the audience laugh and weep and feel satisfied at the end of the evening, especially when the final song makes one cry, which it did for this audience member.

The story for this musical is inspired by Oscar Wilde’s The Canterville Ghost. Composer, Adryan Russ and lyricist, Doug Haverty have taken this short story and created a musical event that has the potential for a Broadway type of production.  In this instance however, the story is told in a small theatre in Hollywood on a small limited stage.  This however did not prevent the actors / singers from bringing their “A” game to the performance.   

The leading female role Virginia is played beautifully by Rebecca Johnson.  Her voice soars in each song whether a solo, duet or an ensemble.  The role of Virginia is infused with humor that requires comedic timing, which Ms. Johnson handles deftly. 

Trevor, the young leading man, is played brilliantly by Zachary Ford.  He has the face of a young Jack Gilford and the quirky charm of Gene Wilder.  He combines the awkwardness of the young Duke with the charm of a young man smitten with a girl who speaks her mind.  

Paul Zegler and Bonnie Snyder, who play Mr. And Mrs. Umney, the servant couple, totally charm everyone who is watching them, with how comfortable they are in their own skin and their unspoken loyalty and love for the young Duke.  The ensemble plays the numerous characters needed to tell a story that is big enough for a musical. This cast of characters frames the story with talent, charm and love of the story.   

The leading ghosts are, Simon played by Peter Welkin and Lucinda, portrayed by Dorrie Braun.  The challenge for these veteran actors is to play ghosts -obviously.  They both have beautiful singing voices but the challenge of creating their ghostly characters still requires some more exploration.  They do however, create sympathetic characters lost in the world of the afterlife, lingering in the castle, each unable to see or hear each other. 

The duet, “If That’s Not Love,” with Virginia, the young woman, and Lucinda, the female ghost, was especially touching and poignant and the final number, “Anything Is Possible,” is worthy of any major musical finale. 

Given the limitations of the stage, both the cast and the director, Jules Aaron, have created an evening in the theater that allows everyone to share in the desire that love can cross over into the beyond.  Yes the big beyond!!!

The songs emphasize the huge emotions that cause the trouble and that help find the solution. As in any true musical the music and lyrics in iGhost drive the story to the finale. 

This reviewer looks forward to a performance of iGhost where the production is able to add the special effects that will add to the ghostly charm that this story brings to the production. 

This production is part of a festival of musical theatre performances.  To see the other performances go to www.PlayWorksMusic.com and www.Lafestival.org.  You can also get more information about this performance at www.LyricTheatreLA.com.

Go see this production at the Lyric Theatre.  Bring your imagination and your ability to see past the limitations of the production values and allow your creative eyes and mind to see what this musical can become.  The music and the performance by these artists make that very easy.

We await the journey this special musical will take.

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Contributing writer JEANNE HARTMAN, the Actors Detective, coaches  professional actors in Los Angeles and teaches actors, directors and writers  in Hong Kong.  She can be contacted at www.JeanneHartmanActorsDetective.com. 

Her book, The Right Questions for Actors, is written in an inter-active book style that supports actors. Veteran actors call it their “new Bible” when it comes to preparing for auditions.  It is available at her website and on Amazon.

Her studies at the Juilliard School, and with Lawrence Parke, Barbara Loden, Mark Travis and training at Centre Lyrique Int’l with Lotfi Mansouri add to Ms. Hartman’s ability to discover which technique is best for each student.  Ms. Hartman’s acting experience on stage across the country, and  in front of the camera, prepared her to become a respected acting coach and teacher in demand by actors, directors, writers, agents, managers and producers.