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8mm interview page one photoLike their Trip Hop / Downbeat song, “Stunning,” from their album, Songs To Live And Die By, the trio 8mm (as in the film), are simply stunning as multi-instrumentalist, songwriter and producer Sean Beavan, singer Juliette Beavan and drummer Jon Nicholson are quickly becoming one of the hottest acts on what some might refer to as the noir music scene. In fact, however in the view of this magazine and in 8mm’s own opinion they are simply writing and performing songs that are couched in reality.

Juliette explains, “I think that what is true for Sean and I, is we are not interested in being unnecessarily melodramatic, because what’s real is dramatic enough. Your experience and moments in life are drama and divinity in and of themselves. We aren’t willing to wallow in it. I think there is enough there that we don’t need to be embellishing it. For me, having you say that it is realistic, is a real compliment.” 

Sean adds, “I am definitely more interested in delving into moments, and all of the moments that we fit into a couple of minutes may be painful, but the end result when you listen to it is cathartic. I think that while listening to some songs may be painful or may be hard to talk about, just knowing that someone else is going through this, makes you feel uplifted. That is kind of how I feel about our songs, that there is joy in them. I want every song to make a person cry. I don’t cry because music makes me sad, I cry because it is beautiful.”

Juliette adds, “For us it is about those acute moments and the little turns in life.”

“There are songwriters out there who are fantastic at just making you feel elated, and all the power to them. That is really a strong emotion, and I love that. I think that one of the best at that right now is Benjamin Flowers from The Chillers, who makes you want to throw your arms up in the air. He is like the Paul McCartney of our generation. He is really great at it, but it’s not our songs,” says Sean.

The song, “Stunning,” is both hauntingly beautiful and deliciously seductive at the same time, as Juliette Beavan’s provocative vocals have their way with the lyrics, and Sean Beavan and Jon Nicholson’s vibes create the mood.

“I think for me, “Stunning,” is a pretty blatantly lascivious song, and intentionally so. It has bittersweet lyrics, but the thing about it is you just don’t care. It is fun, it’s an enjoyable ride, and you know that. It’s probably bad for you, but you’re going do it anyway,” says Juliette.

Unlike some singers or actors who have to mentally and emotionally, prepare themselves to play a part that is not the case for Juliette Beavan when she sings 8mm’s songs. “When we write the songs, the characters and the storylines for each song are so completely realized for me, that there is not much preparation for it. They aren’t hard for me to sing. From the moment that I hear the first note in the track, I know who I am in that moment and we just go from there.” 

Sean echoes those sentiments,” Juliette is a remarkable talent, and she is an “in the moment,” person naturally, whereas most professional songwriters are not “in the moment,” they are, “of the moment.” Because Juliette is a storywriter, she tells stories, and those characters are all bits and pieces of everyone that we have ever known, or a person that she saw crying in her coffee at Starbucks, and whom she has just made up a whole world around. Because of that she just falls into the story right away, and even when she first starts singing the track in the studio, I never have to wait for her to get into character.”

There is a bit of humor, although I am sure, not for the airline industry, in how the song, “Stunning,” came to be. “That song started out as an idea for a cover of the Eagles’, “Lyin’ Eyes.” I was literally flying back from Japan, and that hook is the base hook in the song. The triple feel swing of the groove came to me right away, and it was fully realized in my head. I woke up from my sleep on the plane, whipped out my cell phone, and I started singing into it. I was a bar and one-half into it when the stewardess started screaming at me bloody murder, because I had the cell phone on. From then on, it was me whipping out my credit card, swiping the headset, and calling Juliette, saying, ‘Don’t answer it, I am singing into the answering machine (Juliette and Sean laugh).’ It (the song) came into my head fully done, and I could hear every part. I sang the drum line, sang the bass line, and I sang the guitar part into the headset, so that when I got home it was just a matter of putting it all together. At that time, and still, I am fascinated by the groove of swing. I love how the pocket of swing continually pulls you back and then throws you forward,” says Sean.  Read more