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Scarlett Macfarlane is Sorry

Scarlett Macfarlane photo front pageRecently, New York, singer, songwriter, musician Scarlett Macfarlane sat down with Riveting Riffs Magazine to talk about her music and life. Perhaps the most important things you could know about her came from the answer to a question we asked her near the end of our conversation. That being, What do you think has shaped your music?

“I think life has informed my music. There are so many things. When you talk about multi-level highways, I had nineteen levels at once (when I was thinking). I think a stream of consciousness answer (is best) rather than taking time to think about it, because if you ask me tomorrow, I will have a different answer. The values in my family have never felt like anything that was material was the most important thing.  Who you are mattered more than any of it, that inner sense of self, that inner conscience. I was treated like an adult from a very young age. My parents would always ask me for advice. They never treated me as less than in any way, shape or form in any phase of my life. Not that it gave me a sense of self-importance, but rather it gave me a sense of self-worth. What you do is not who you are. I was raised to believe that anything was possible. It is just a matter of figuring out how to get there. That could be a bad thing to, because it could set you up for well why I didn’t  succeed. I have never lost sight of; sure, I will give it a go. I am not afraid to think big, dream big and have aspirations. I think that has fed my music more than anything.

I also think and the first answer that came to mind I consume a lot of science fiction and fantasy. I feel like I live in a science fiction novel half the time. I don’t know if that is a good thing or a bad thing. I see the world as being pretty crazy. This is pretty crazy what we are doing here and so life is a crazy thing. There is so much we don’t know and so much we think we know. So much is always changing, it is like living in Read More

 

 

 

jojomago Fabulous New Album

jojomago Interview Photo Front PageIt is unusual for someone to confess to you their biggest dream in your first face to face conversation, but in explaining her stage name jojomago that is exactly what this incredibly talented singer and songwriter did recently when she sat down with Riveting Riffs Magazine. The jo part is easy, because it is her first name, but what about mago?

“In Italy Mago means a witch or a wizard. It has a different kind of twitch and people are (she tilts her head to one side) why jojo the witch? My biggest dream is to have grey hair and move out into the woods. Yes, that is my hope and dream that I can grow into a wise old witch in the woods with grey hair. (she laughs quietly) Who knows? Some people think that a witch is a bad thing, but I’ll take it,” she says with a hint of mischief in her eyes. 

The name jojomago however has roots far deeper than when this American lady moved to Italy fifteen years ago and she explains, “jojomago is a nonsense name. I have a bunch of aunts and uncles and their love language is making fun of you. When I was little, one of my uncles decided my name was ‘jojomago, baddest girl I know.’ He would say it over and over again and I hated it. “Baddest,” no I’m not the “baddest,” I’m  a good kid. It has always been a name that stuck with me and when I decided to start a music career I really wanted to have a name that was unique, one of a kind, because I could go by Jo or JoJo, because that would make a lot of sense, but there are a lot of artists out there that are Jo or JoJo and you know how it is, finding an emerging artist is the worst thing ever and there are other people with your name. You are never the one that shows up in a search. I wanted to have a name that I was not just creating for the sake of this music career. It wasn’t something I was just creating for the sake of this music career. It is a name I have had for my entire life. I decided to go with that.”

So, was it way back in Indiana that you started singing? Read More

 

 

 

 

Electronic Firefly

Electronic Firefly cello 

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Iris Jacobs Dutch Filmmaker

Iris Jacobs photo front pageIt is A Highly Suspicious Connection. No, those capital letters were not us screaming at you, but they are the title of a film by Dutch screenwriter, actress and  director Iris Jacobs, who for the past ten years has called Barcelona, Spain her home.

“I started this project during the pandemic. Lots of things were going on in the online atmosphere and I was seeing a lot of things going around, especially with conspiracy theories and polarization was already happening there. Then I had an idea to write a romantic comedy thriller and to combine these elements. It is about these two characters that represent these polarizations. They are sort of opposites, but somehow, they are the same. They were both trauma informed polarizations, but they have different coping mechanisms. You have a spiritual wanderer who is in the misty countryside and she is going to have a date with an ex-military man. He is extremely suspicious and he thinks that he is being recorded all of the time. He is going to meet this woman in the countryside.

They seem to be different, but they sort of have a similar trauma and that is also why they are really attracted to each other. They are also very reactive in their relationship. They find a stranger bound to a tree. They go on this mission together. The guy bound to the tree appears to know more than they do. They have to collaborate to figure it out. Of course, they fall in love (not the guy in the tree).

It is going to be a feature for sure and it is inspired by Hitchcock, who is one of my great heroes. There are also elements of Billy Wilder and the more Nordic filmmakers. I am sort of heading there. It is a very tight script as well. It is also surrealistic with a lot of suspense,” Iris Jacobs explains.

Iris Jacobs, who until recently solely focused on short films and theater in various capacities, has, as we counted five different feature films at different stages of development and she recently received high praise Read More

 

Hank Alrich and the Broken River

Hank Alrich Interview Front Page PhotoMany if not all of Hank Alrich’s songs on his new album Broken River tell stories and that should not be surprising, as he joined this writer in conversation for ninety minutes recently and it felt like sitting across from the legendary Davey Crockett, except there were no exaggerated stories of Hank wrestling a bear. Maybe that is for a future album.    

That is where our conversation began…with the stories, not the bear! 

“Almost all of them (songs) have a story and that is how I work. People like to talk about their intention and meaning, but I honestly don’t understand the process of what brings me a song. As a friend of mine said, do not dig too deeply into understanding how a process works. I will be washing the dishes or sweeping the floor or splitting firewood and a line will come to me.  I don’t know where it comes from and I have learned that if a line gets my attention, I better log it. I will say it into a phone or I will somehow save it.  I will dry my hands from washing dishes and I will write that line down and I will go back to washing dishes and thirty seconds into washing dishes the next line comes (he says in jest) it takes forever to wash the dishes sometimes.

In November of 2017 songs had just been coming and coming. I drove from California (to Austin) for the Armadillo Christmas Bazaar. For several years I was directing the music which is embedded in that wonderful arts and crafts festival. I told myself you need to stop writing and get on with getting out of here. I was literally putting stuff in the van and the opening lines and “The Perfect Hat,” shows up, the second song on (this) album. By the time I had the van packed I had all of the lyrics. Now it had taken too long to pack the van. I didn’t actually put the music together until I got to Austin.  It is one of those songs Read More

 

   

Bianco Lugo Debuts EP

Bianco Lugo Front Page PhotoSinger, Bianca Lugo, recently relocated to Pennsylvania from Austin, Texas and the native Texan, released her first three solo singles, “I Want 2B Free,” “Her Secret is Patience,” and “Take It Like a Man.” Her Opera trained vocals are ethereal and dreamy for “Her Secret is Patience,” on what can be best described as Cinematic Dream Pop, think Chromatics the 2015 – 2018 era and their songs like “Utopia,” and “Shadow.” Bianco Lugo’s dreamy, ethereal vocals are juxtaposed to the more up-tempo music, which is reminiscent of Munich Machine.

We first noticed Bianca Lugo when she provided vocals on Ben Brown’s King Of Air album.

As for Brown invited her to sing on the album he says, "Choosing to work with Bianca was easy; she has talent, style, and range. As a classically trained singer, I knew she had control of her instrument, but I wasn't sure initially how her training and experience would jive with the dingy world of rock n' roll. I first asked her to sing one of my songs, "I Can't Afford My Baby Anymore," as a guest vocalist at a live concert in Austin, Texas, which led to an invitation to sing harmonies on my album, King of Air. From there, she became a more frequent collaborator, which sparked the idea to record songs with her vocal at the forefront. Her voice has a timbre that can make a subversive lyric instantly palatable." 

So, we wondered about that transition from her Opera training to a new sound.

“At first, it was difficult. I was used to having a specific structure in  my Classical training. There were set times every week. I was reading lots of different languages Read More

 

 

 

Undecover (Mostly) - Stew Cutler

Stew Cutler 2025 Interview Front Page PhotoUndercover (Mostly) the new album from Stew Cutler does not describe some child hiding underneath the blankets from an imaginary monster, but rather the superb guitarist covering seven of the nine songs that appear on the record and adding to them two of his own compositions. Let us say this and be completely transparent throughout our history, Riveting Riffs Magazine has been a little apprehensive of albums heavily populated by covers, because so often the artists merely try to sound as close as possible to the original artists, leaving you wondering why you did not just buy the original record. That, however, is not the case with Stew Cutler’s Undercover (Mostly). He has reimagined some iconic songs, arranged them as purely instrumentals and given us a special gift that we will enjoy for many years to come.

So, we wondered at this point in his career what would lead Stew Cutler to create an album like this.

He explains, “A while ago a friend of mine came by to see me play and she is a manager person, a producer person and she didn’t end up working with me, but I did for many years work with her on her main project which is the Harlem Gospel Singers. Her main comment was your music is really good, most people don’t know any of these songs. Why aren’t you doing any covers?

I don’t have a really good answer as to how this all got going. I thought of it as a challenge to take some songs that people knew and to turn them around a little bit. I have been a little bit fascinated with songs that end up as hits or top forties hits like the song “Betcha By Golly Wow,” the one that I did on solo guitar. It was a top R&B hit. It is such a Jazz tune. So many of Stevie Wonder’s songs were Jazz tunes. Now I can’t say that about “Close To You,” I am proud of the arrangement on that. It was a little different and I included a drum solo out of respect for Karen Carpenter Read More

Kristen Ford and Her Pinto

Kristen For Interview Photo Front PageWhen we sat down to chat with singer, songwriter and musician Kristen Ford it was only a few days after she appeared on The Kelly Clarkson Show.  

I had it (The Kelly Clarkson Show) confirmed less than forty-eight hours before we filmed it and it came from an opportunity in 2021. In this industry even the best of us gets so confused and broken down and It doesn’t make a lot of sense. Enjoy the wins when they show up. Never be too impatient, because things happen sometimes slowly and then all at once. They flew me out of Sacramento to New York.

It was the first time I worked with a producer. I think I kind of got tunnel vision and though oh my god this is actually happening. Don’t mess up. (On the show) there were The Temptations and Zöe Zaldaña. I just try to be low key around famous people.”

It seems almost prophetic when she says, “This year is the year of the horse and I don’t know if you follow the Chinese zodiac. We go from the year of the snake into the year of the horse and the fact Pinto (her current album) is that horse spirit and then a surprise like Kelly came out of nowhere.”

When you read about the first half of Kristen Ford’s life it sounds a bit like a troubadour, as she lived in six states by the time she was nineteen.

“I grew up mostly in western Massachusetts, but I had moved across the country a few different times from an early Read More

 

 

 

 

 

 

Floating on the Dreamline

Alan Williams Interview Photo Front Page On March 29, 2026, singer, songwriter, musician Alan Williams’ journey that began as a child and Julie Andrews will come to a rest with Floating on the Dreamline the unofficial release of his new album and his retirement concert. As we sat thousands of miles apart recently, at opposite ends of a Zoom call this writer could only have wished that our conversation had taken place in person. Alan Williams is the kind of person you warm up to in a heartbeat. He is thoughtful, intelligent, and he is as much interested in the interviewer as you are in him.  

Let us add some clarity to that Julie Andrews comment we made, a reference to him as a child seeing The Sound of Music. With a smile only leaving his face for fleeting seconds during our entire conversation he explains.

“Who can say no to Julie Andrews on the top of a mountain? I don’t normally gravitate toward musicals, but as a young impressionable child that seemed larger than life. It was so successful back in the day you could trot it back out to the theaters a couple of years later and the crowds would pour in. My dad took me to see it when I was three years old.  We were in Morristown Tennessee,” smiling he continues, “I don’t think Julie Andrews was ever planning to make an appearance there. 

I don’t remember this, but I have been told the next day my mother was in the kitchen and I was around the corner and there was a piano, and I don’t know why we even had a piano, because nobody played and she heard somebody banging out Do-Re-Mi. It was me with my hand above my head to touch the piano keys. I found middle C apparently and I began to play the song from the movie.

Immediately it was we’ve got a prodigy let’s get him lessons. This Read More

Triple Threat From Belgium

Onno van Gelder Jr Interview Photo Front PageWe sat down recently with director, actor and author Onno van Gelder Jr, speaking to us from his home in Belgium. With Christmas quickly approaching perhaps a good place to begin would be with one of his five authored books, De Kerst Slaper (The Christmas Sleeper), a book that is also available in English.  

Onno (for sake of ease we will use Onno van Gelder Jr.’s first name throughout), explains the story (no pun intended) behind the book, “I have got five books until now. I have two collections of short stories, I have two novellas, and I have one Christmas story. He repeats the title in Dutch, De Kerst Slaper and in English it is The Christmas Sleeper. It is based upon an old legend. It is from Veurne which is a city in which I tend to work a lot during these past ten years. They have this old legend about the inhabitants of the city which are called Sleepers from Veurne.  During the middle ages the city was very wealthy and prosperous. They made a certain type of cloth during that time. They had a lot of merchants and a lot of workers. There was a depression during that period and all the trade went to other cities. Those who were rich had nothing to do and slept longer in the morning. Those who worked, didn’t have work, so what would they do but sleep. That is why they were called Sleepers It was a nickname for all of the inhabitants of Veurne. They were all sleeping.

A little over four years ago, Veurne asked me to revive the legend with a story, based upon the legend. I did not have to tell the legend, but there had to be links to the legend. I created the Christmas story about a character and his name is a French name Firmin Dorbien and his last name in English means Sleep Well. I called him Firmin Sleep Well.

It is a Christmas story and most people think it is a story for children, but no it is also for older people.

I received a Read More

Rachael Sage and The Sequins

Rachael Sage Interview 2025 Front Page Photo Rachael Sage’s current album Canopy creates a welcoming vibe for the listener, and the singer songwriter musician has a way with her musical canvass of creating a big tent that says come on in, everybody is welcome. This collection of songs creates an intimate setting in which she seems comfortable combined with an orchestral sound (more on that later).  

“That is always what we are striving for. When I hear you say that it is almost like you might be picking up on this concerted intention to have this be more of a band type of a project and even though I have been playing for many years with most of the folks on this record there was definitely something different, in knowing before I rolled my sleeves up that I wanted this to be a Rachael Sage and the Sequins record.

I had already worked a couple of times before with my engineer Mikhail Pivovarov. He has been very graciously coming up to where I live in the Hudson Valley and doing a lot of the recording with me in my actual home space. We did maybe fifty percent of it up here and the other half with bass, drums and piano in Connecticut at the Carriage House (Carriage House Studios). Maybe that is what you are hearing.  

I have recorded with bands frequently. I don’t always do things separately and in piecemeal. We have gone Read More

 Actor Ruben Yuste

Ruben Yuste May 2024

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 Dar Williams - Prolific Songwriter

Dar Williams Interview Photo Front PageKen Rich (who also was the sound engineer and mixer), Dar Williams and her accompanying musicians have created an exquisite collection of songs for her album Hummingbird Highway with a release date of September 12 (2025). It does not take long to realize, while speaking with Dar Williams that you are engaging with a thoughtful, deep thinking, beautifully creative and highly intelligent individual, who cares passionately about the world in which she lives. At the midpoint of the record, there is a brief tonal shift that caught this writer by surprise. David Chalfant co-produced “Put the Coins,” and “What Bird Did You See?” at Grand Street Recording and Norfolk Studios at Northampton, Massachusetts.    

We open our conversation with Dar Williams inviting her to talk about one of the prettiest songs you will hear in 2025, “Tu Sais Le Printemps.”

“The best way to go about writing a song and if you feel something coming on, is to do your best to feel curious about it. This seemed light, breezy, spring like and romantic. I thought well let’s just keep on going. I pulled out (she laughs lightly) all the pictures of France, pictures of spring, of gardens and bridges and then I looked at them to see where the story (was going). My favorite part is the dog standing outside of the restaurant (she chuckles referring to the music video). It is a French bulldog and then the aerial views of France and the cherry blossoms. The song is left open and evocative for people. You can’t help to find your way back to love or to love in that kind of setting.

I had this interesting melody that kept on being the best setting for a return to romance, as aided by the spring. When I wrote the line, “And of maddening times, we will laugh and say that’s how it goes…,”  I actually had a really emotional understanding of how much of my heartaches I had let go and they had transformed into humor and friendships in my own life. There is kind of a lightness to letting go of all of that,” she explains.

We would be remiss if we did not mention the musicians who are the music accompaniment to the cinematic feel that Dar Williams’ beautiful lyrics and music paint. We wonder who will first feature this song in a romantic film. There is such a distinct European feel with about one-third of the lyrics in Frenc and the rest in English. Bryn Roberts is magical on piano, Dan Reiser is subtle and smooth on drums, Todd Horton’s flugelhorn and alto trumpet add another layer, as Mike Visceglia plays acoustic bass and Rich Hinman provides an acoustic and electric guitar accompaniment. That last word in the previous sentence is what makes this song work so well. The instrumentals never overpower the vocals. Imagine if you will a conversation between the instruments and the vocals and that is what you have in this song, one more it seems that arises out of reflection and fondness.

Throughout this album, it appears that Dar Williams enjoys weaving stories, but rather than perhaps forming a misguided opinion, we posed that very question to her.

“Yeah, I think that is probably the best description. I was a theater major Read More

 

 

 

 

Ana Luísa Ramos

Ana Luisa Ramos Interview Photo front pageSão Paulo, Brazil to St. John’s Newfoundland in Canada is almost 8,000 kilometers, a distance that likely a young girl named Ana Luísa Ramos thought she would never travel when she was singing in a children’s choir, let alone make St. John’s her home, many years later. Proud of her Brazilian heritage, but obviously proud of her home in recent years, Newfoundland, Ana, her husband Eric and their family have not only traveled together across great distances but also have had a musical journey together that started many years ago. Ana Luísa Ramos sat down with Riveting Riffs Magazine over a Zoom call to talk about her life, career and took us back the very beginning.        

She begins, “I was born in Ribeirão Preto and that means Black River. In the city we have this river and it used to be a big river. Now it is not that big and not that clean anymore. I was born in 1988. I always loved music. My parents are not musicians. From my mom’s side her grandma and her brothers, they used to play and sing and paint, but music is very present in my culture and people are very much connected to music.

I have always had music at my house and I had many diverse influences. My father loves Brazilian music, but he also is a Beatles fan and all of the sixties Rock bands. My brothers, I have two older brothers and they were the ones who introduced me to MTV. We used to see what was happening in the U.K. and in the U.S. I remember the first time I saw Pink Floyd (big smile).

I started singing in choirs and my grandma, my father’s mom, loves Classical music. At the time we would listen to music on CDs. There was this magazine that if you bought the weekly issue, you would receive a different CD every week. There were many composers.

My grandma is a very simple person who only did primary school, but she would love to listen to music. She was a housewife. She stayed home, cleaning, cooking and taking care of the grandkids. I still remember listening to all of the Opera singers and the Classical music. I would sing with my (she does air quotes) Opera voice. My mom decided to put me in a choir (Her eyes sparkle as she remembers). I still love to listen to Classical music. That is how I started and I was very (much) a perfectionist. This was Coral Infantil da Cia Minaz (Children's Choir) at the Teatro Minaz.

It was a very different experience. We would have theory music Read More 

 

 

  

 

Award Winning Actress Luz Nicolas

Luz Nicolas Interview Photo Front PageIt is not every day that you get to have a conversation with a star of the theater world on both sides of the Atlantic Ocean, but recently Riveting Riffs Magazine sat down over a Zoom call with Luz Nicolas, originally from Madrid, Spain and having lived in Washington D.C. for more than a decade and performing and acting as assistant director for numerous plays over the years at the GALA Hispanic Theater. She was in the midst of rehearsals for the stage production of Kiss of the Spider Woman for which she is the assistant director.    

For those not familiar with the play adapted by Manuel Puig from his 1976 novel and later made into both a film and a musical, she explains, “It is about two men in jail, but they develop a character of a woman. It is a fascinating (story). Manuel is an Argentinian playwright. There is also a film with William Hurt and Raul Julia. I think that was in the ‘80s (1985) [Editor’s note: The film also starred Sonia Braga in three roles as Leni Lamaison, Marta and the Spider Woman]

The story is about two men who are in the same cell. One of them is there, because he is a revolutionary who goes against the government and the other one is there, because he is gay and he is also accused of being a pedophile.

It begins with one of them talking about a movie. He is telling a story about a woman. They get to know how different they are, and yet at the same time, they are starting to understand each other very well. They love and care for each other very much.  What he is sharing with the other (person) is not about an actress. It is about a movie.  

One guy who is struggling and is sick and his body is breaking down. The other man is helping him by telling a story.” As for how she became involved in the play she says, “I have worked many times with the director José Luis Arellano. He is from Spain and he is a friend of mine. He has directed me about ten times. To me he is like my soul brother. We know each other very well artistically and personally. When he knew he was going to be directing the Kiss of the Spider Woman he said, ‘I would love fore you to be my assistant.’ The show is deep, raw and intimate, so he wanted somebody who could go with him and the actors throughout the process. I also know both actors very well. It was a perfect match. Jose said he could not think of a better person to do this job and he invited me.

I was also the assistant director of Mummy in the Closet (Momia en el Clóset) It was a musical at GALA a year ago. It was amazing. The two actors came from that musical. I am so excited that we are going to get together. It is kind of like a theater family reunion. It is at the GALA Hispanic Theater (Kiss of the Spider Woman - El Beso de la Mujer Araña) in Washington D.C. September 4th to 28th. It is absolutely Read More

 

 

 

 

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Ana Luísa Ramos

Ana Luisa Ramos Interview Photo front pageSão Paulo, Brazil to St. John’s Newfoundland in Canada is almost 8,000 kilometers, a distance that likely a young girl named Ana Luísa Ramos thought she would never travel when she was singing in a children’s choir, let alone make St. John’s her home, many years later. Proud of her Brazilian heritage, but obviously proud of her home in recent years, Newfoundland, Ana, her husband Eric and their family have not only traveled together across great distances but also have had a musical journey together that started many years ago. Ana Luísa Ramos sat down with Riveting Riffs Magazine over a Zoom call to talk about her life, career and took us back the very beginning.        

She begins, “I was born in Ribeirão Preto and that means Black River. In the city we have this river and it used to be a big river. Now it is not that big and not that clean anymore. I was born in 1988. I always loved music. My parents are not musicians. From my mom’s side her grandma and her brothers, they used to play and sing and paint, but music is very present in my culture and people are very much connected to music.

I have always had music at my house and I had many diverse influences. My father loves Brazilian music, but he also is a Beatles fan and all of the sixties Rock bands. My brothers, I have two older brothers and they were the ones who introduced me to MTV. We used to see what was happening in the U.K. and in the U.S. I remember the first time I saw Pink Floyd (big smile).

I started singing in choirs and my grandma, my father’s mom, loves Classical music. At the time we would listen to music on CDs. There was this magazine that if you bought the weekly issue, you would receive a different CD every week. There were many composers.

My grandma is a very simple person who only did primary school, but she would love to listen to music. She was a housewife. She stayed home, cleaning, cooking and taking care of the grandkids. I still remember listening to all of the Opera singers and the Classical music. I would sing with my (she does air quotes) Opera voice. My mom decided to put me in a choir (Her eyes sparkle as she remembers). I still love to listen to Classical music. That is how I started and I was very (much) a perfectionist. This was Coral Infantil da Cia Minaz (Children's Choir)

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