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Agota Dunai Lost in Black Forest
She describes
Black Forest
which appeared on Hungarian television as, “weird, dark things are
happening.
Natalia (Dunai) and her husband Kevin (Joó)) are going down the road
and another car almost hits them.
They get off the
road and they decide to stop there and have their hike in that part of
the forest. After a while they realize they are lost, so they decide to
go back to their car, but they cannot find it. They find another couple
who are lost as well.”
From there the film takes a turn that is part Sliding Doors (the
film), part Alfred Hitchock and very supernatural, as seemingly evil
forces try to prevent them from finding their way out of the forest.
“Everybody’s story goes in a different way,” she says.
One of the more
interesting roles that
Ágota Dunai has appeared in was as a drag king, who knew? We thought
there were only drag queens.
“Recently, I was cast to play a drag king. I was in shock and even my agent was in shock. I was really happy. It was a small role, but that finally made me think, finally I am breaking out of my stereotype. I think the kinds of roles I get are expanding. I can’t really talk about it, because the film is still being made, but Read More
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Deer Fellow Cinematic Pop Folk
Alyssa says, “It
is a very classic Austin musician meeting about eleven years ago. We
both liked each other’s sets at an open mic and Matt came up and
introduced himself to me. It was my first night at open mic, but Matt
was a regular. A couple of months later we sang together a cover song at
the open mic.” They are not
native Austinites, but both have been in the Texas city long enough to
claim it as home, with Alyssa having moved from Kansas City Missouri,
thirteen years ago and Matt was born in San Deigo, but grew up in
Houston, prior to moving to Austin in 2009. That is a long way to go to
find your musical selves and to marry someone, although it was not
planned that way. They stopped by to chat about their recently
released album Hues and Matt Salois explains why that title was
picked. “It started with
the song “Beautiful
Gray” and that is about this
in between will they or won’t they start a relationship. The feelings
with that we incorporated into “Beautiful Gray,” just like it is not
black and white,” says Matt, before Alyssa adds the word, “haziness,”
which Matt echoes. Continuing Matt says, “The titular track
Hues was actually based off a video game Hue, which is a
video game about getting through obstacles and challenges, by
manipulating backgrounds and colors or things that are in your way or
changing a landscape, so you can see something you didn’t see before. It
is all about the emotions tied to different colors and the perspective
you can get depending on what you are feeling that day or that week or
the mood that you are set in. The song “So Low,” is about depression and
is blue. The good thing about video games is you do not have to play video games to understand the concept behind it. The video game is an inspirational metaphor how the way emotions help you navigate what you Read More
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Electronic Firefly
Electronic Firefly
website
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Scarlett Macfarlane is Sorry
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Hank Alrich and the Broken River
That is where our conversation began…with the
stories, not the bear! “Almost all of them (songs) have a story and that
is how I work. People like to talk about their intention and meaning,
but I honestly don’t understand the process of what brings me a song. As
a friend of mine said, do not dig too deeply into understanding how a
process works. I will be washing the dishes or sweeping the floor or
splitting firewood and a line will come to me.
I don’t know where it comes from and I have learned that if a
line gets my attention, I better log it. I will say it into a phone or I
will somehow save it. I
will dry my hands from washing dishes and I will write that line down
and I will go back to washing dishes and thirty seconds into washing
dishes the next line comes (he says in jest) it takes forever to wash
the dishes sometimes. In November of 2017 songs had just been coming and coming. I drove from California (to Austin) for the Armadillo Christmas Bazaar. For several years I was directing the music which is embedded in that wonderful arts and crafts festival. I told myself you need to stop writing and get on with getting out of here. I was literally putting stuff in the van and the opening lines and “The Perfect Hat,” shows up, the second song on (this) album. By the time I had the van packed I had all of the lyrics. Now it had taken too long to pack the van. I didn’t actually put the music together until I got to Austin. It is one of those songs Read More
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Marie Lind From Denmark
She describes her
birthplace as, “It is
close to Sweden. Some of it is very rocky in the north and in the south,
it has really good sandy beaches. A lot of people vacation there,
because of the beaches and fine sand. In the summer if the weather is
really nice and the sun is shining it feels almost like being in the
south of Spain or Italy. Even though it is a small island, not everybody
knows everybody, but almost. If you want to go to university you have to
go to Copenhagen and the mainland.”
Continuing Marie Lind says, “I was born there,
in a little town in the north and then I spent my childhood there,
before moving from the island to go to boarding school in 1992, I think.
I did not move back to the island, because I wanted to go to a music
high school. It is called a gymnasium. You live at the school and you
share a room with other students.
I think we were eighty-six students when I stayed at the school.
I stayed there for two years and they were some of my best school years. I had to go
overseas to Sjaelland to the island where Copenhagen is. I had to move a
bit to go to that school.” As for the transition, she says, “We only had one escalator on Read More
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jojomago Fabulous New Album
“In Italy Mago means a witch or a wizard. It has a different kind of twitch and people are (she tilts her head to one side) why jojo the witch? My biggest dream is to have grey hair and move out into the woods. Yes, that is my hope and dream that I can grow into a wise old witch in the woods with grey hair. (she laughs quietly) Who knows? Some people think that a witch is a bad thing, but I’ll take it,” she says with a hint of mischief in her eyes.
The name jojomago however has roots far deeper than when this American lady moved to Italy fifteen years ago and she explains, “jojomago is a nonsense name. I have a bunch of aunts and uncles and their love language is making fun of you. When I was little, one of my uncles decided my name was ‘jojomago, baddest girl I know.’ He would say it over and over again and I hated it. “Baddest,” no I’m not the “baddest,” I’m a good kid. It has always been a name that stuck with me and when I decided to start a music career I really wanted to have a name that was unique, one of a kind, because I could go by Jo or JoJo, because that would make a lot of sense, but there are a lot of artists out there that are Jo or JoJo and you know how it is, finding an emerging artist is the worst thing Read More |
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Kristen Ford and Her Pinto
It was the first time I worked with
a producer. I think I kind of got tunnel vision and though oh my god
this is actually happening. Don’t mess up. (On the show) there were
The Temptations and Zöe Zaldaña. I just try to be low key around
famous people.” When you read about the first half of
Kristen Ford’s life it sounds a bit like a troubadour, as she lived
in six states by the time she was nineteen.
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Floating on the Dreamline
Let us add some clarity to that Julie Andrews
comment we made, a reference to him as a child seeing The Sound of
Music. With a smile only leaving his face for fleeting seconds
during our entire conversation he explains. “Who can say no to Julie Andrews on the top of
a mountain? I don’t normally gravitate toward musicals, but as a young
impressionable child that seemed larger than life. It was so successful
back in the day you could trot it back out to the theaters a couple of
years later and the crowds would pour in. My dad took me to see it when
I was three years old. We
were in Morristown Tennessee,” smiling he continues, “I don’t think
Julie Andrews was ever planning to make an appearance there.
I don’t remember
this, but I have been told the next day my mother was in the kitchen and
I was around the corner and there was a piano, and I don’t know why we
even had a piano, because nobody played and she heard somebody banging
out Do-Re-Mi. It was me with my hand above my head to touch the piano
keys. I found middle C apparently and I began to play the song from the
movie. Immediately it was we’ve got a prodigy let’s get him lessons. This Read More
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Fiona Joy Hawkins Lava and Snow
She begins by explaining why she refers to her
music as Neo Classical / New Age, “Neo
Classical means derived from the Classical period. You have the Baroque
period, the Classical period, the Romantic period and a whole pile of
smaller ones and I guess that has led up to now and I think that is Neo
Classical. New Age means something a little more connected and it means
being connected and spiritual, but without any religion. It says
something about the world around us and it has a deeper meaning. A lot
of music has gone before us, going back to the Gregorian chant. One
music period develops and grows from another.” The music is Neo
Classical / New Age. You have a concept and you write about that and
hopefully they (the listeners) understand where that piece of music
comes from. Really, music has no value unless it has value to the
listener. You hope when they are listening it takes them somewhere else
in their own space and they connect with the piece of music. That is
usually what happens and that is the beauty of instrumental music. It
can mean whatever you want it to mean.” Segueing into talking about the album, she says, “In 2024 I figured it was time that I recorded another album. I wasn’t really inspired. My husband (Bas) was going to work overseas for six weeks, so I thought okay this is really the perfect opportunity for me to Read More
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Iris Jacobs Dutch Filmmaker
“I started this
project during the pandemic. Lots of things were going on in the online
atmosphere and I was seeing a lot of things going around, especially
with conspiracy theories and polarization was already happening there.
Then I had an idea to write a romantic comedy thriller and to combine
these elements. It is about these two characters that represent these
polarizations. They are sort of opposites, but somehow, they are the
same. They were both trauma informed polarizations, but they have
different coping mechanisms. You have a spiritual wanderer who is in the
misty countryside and she is going to have a date with an ex-military
man. He is extremely suspicious and he thinks that he is being recorded
all of the time. He is going to meet this woman in the countryside. They seem to be
different, but they sort of have a similar trauma and that is also why
they are really attracted to each other. They are also very reactive in
their relationship. They find a stranger bound to a tree. They go on
this mission together. The guy bound to the tree appears to know more
than they do. They have to collaborate to figure it out. Of course, they
fall in love (not the guy in the tree).
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Actor Ruben Yuste
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Stew Cutler Undercover (Mostly)
He explains, “A while ago a friend of mine came by to see me play and she is a manager person, a producer person and she didn’t end up working with me, but I did for many years work with her on her main project which is the Harlem Gospel Singers. Her main comment was your music is really good, most people don’t know any of these songs. Why aren’t you doing any covers?
I don’t have a really
good answer as to how this all got going. I thought of it as a challenge
to take some songs that people knew and to turn them around a little
bit. I have been a little bit fascinated with songs that end up as hits
or top forties hits like the song “Betcha By Golly Wow,” the one that I
did on solo guitar. It was a top R&B hit. It is such a Jazz tune. So
many of Stevie Wonder’s songs were Jazz tunes. Now I can’t say that
about “Close To You,” I am proud of the arrangement on that. It was a
little different and I included a drum solo out of respect for Karen
Carpenter. It was played by Bill McClellan. I introduce it on stage as
Freddie King meets Karen
Carpenter.”
The
interesting thing about “Betcha By Golly, Wow,” is that is almost
associated with the Philadelphia group The Stylistics and for good
reason as the single was a gold record that peaked at #2 on the R&B
charts in America and #3 on the U.S. Billboard Hot 100 chart. Here is
the thing though, The Stylistics were covering The Thom Bell and Linda
Creed song recorded in 1970 by Connie Stevens under the title “Keep
Growing Strong.” So, we might say that Stew Cutler recorded a cover of a
cover and reimagined it, just as The Stylistics reinterpreted the song
in their own way. It occurred to us that
even those of a certain vintage may be familiar with many of these
songs, such as “Summer Breeze,” by Seals & Crofts, but many others may
be hearing these wonderful songs for the very first time. “That is something Read More
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Ana Luísa
Ramos
She begins, “I was
born in Ribeirão Preto and that means Black River. In the city we have
this river and it used to be a big river. Now it is not that big and not
that clean anymore. I was born in 1988. I always loved music. My parents
are not musicians. From my mom’s side her grandma and her brothers, they
used to play and sing and paint, but music is very present in my culture
and people are very much connected to music. I have always had
music at my house and I had many diverse influences. My father loves
Brazilian music, but he also is a Beatles fan and all of the sixties
Rock bands. My brothers, I have two older brothers and they were the
ones who introduced me to MTV. We used to see what was happening in the
U.K. and in the U.S. I remember the first time I saw Pink Floyd (big
smile).
I started singing in choirs and my grandma, my father’s mom, loves
Classical music. At the time we would listen to music on CDs. There was
this magazine that if you bought the weekly issue, you would receive a
different CD every week. There were many composers.
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Triple Threat From Belgium
Onno (for sake of
ease we will use Onno van Gelder Jr.’s first name throughout), explains
the story (no pun intended) behind the book, “I have got five books
until now. I have two collections of short stories, I have two novellas,
and I have one Christmas story. He repeats the title in Dutch, De
Kerst Slaper and in English it is The Christmas Sleeper. It
is based upon an old legend. It is from Veurne which is a city in which
I tend to work a lot during these past ten years. They have this old
legend about the inhabitants of the city which are called Sleepers from
Veurne. During the middle
ages the city was very wealthy and prosperous. They made a certain type
of cloth during that time. They had a lot of merchants and a lot of
workers. There was a depression during that period and all the trade
went to other cities. Those who were rich had nothing to do and slept
longer in the morning. Those who worked, didn’t have work, so what would
they do but sleep. That is why they were called Sleepers It was a
nickname for all of the inhabitants of Veurne. They were all sleeping. A little over four years ago,
Veurne asked me to revive the legend with a story, based upon the
legend. I did not have to tell the legend, but there had to be links to
the legend. I created the Christmas story about a character and his name
is a French name Firmin Dorbien and his last name in English means Sleep
Well. I called him Firmin Sleep Well. It is a Christmas story and most people think it is a story for children, but no it is also for older people. I received a very nice comment for that book. Someone said it was very much like a story by Charles Dickens. It is without copying and without being exactly the same. With that story it was written during the COVID period. Veurne is a town and we have these Christmas markets every winter in all the towns here in Belgium. Of course, during COVID, they Read More
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Audray
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Rachael Sage and The Sequins
“That is always what we are striving for. When I hear you say that it is
almost like you might be picking up on this concerted intention to have
this be more of a band type of a project and even though I have been
playing for many years with most of the folks on this record there was
definitely something different, in knowing before I rolled my sleeves up
that I wanted this to be a Rachael Sage and the Sequins record.
I
had already worked a couple of times before with my engineer
Mikhail Pivovarov. He has been very
graciously coming up to where I live in the Hudson Valley and doing a
lot of the recording with me in my actual home space. We did maybe fifty
percent of it up here and the other half with bass, drums and piano in
Connecticut at the Carriage House (Carriage House Studios). Maybe that
is what you are hearing.
I have recorded with bands frequently. I don’t always do things
separately and in piecemeal. We have gone in as a trio or even more to
record live. As a project I really wanted the sensibilities of the songs
which are about inclusivity and acceptance and safety and to use your
word with a certain degree of comfort. It comes from all of those
things, which we need in the world, and especially now. I wanted the
record and the dynamic between us as friends and peer musicians to come
through the music. I was very conscious of that and I think I was maybe
less control freakish about my pre-existing concepts and vision as a
musician. I was a little bit more open to the ideas in terms of
arrangements. I still have a very strong production sensibility, but I
wanted to make sure everybody had a chance to shine on this record,”
says Rachael Sage.
As
for achieving an orchestral sound, without having an actual orchestra,
she says, “I do have a wonderful violinist (Kelly Halloran) and not one
but two phenomenal cellists (Dave Eggar and Ward Williams) who record
with me and tour with me ongoing. I think what you are really asking
about is how we layer these string tracks and to some degree it
interacts with some brass on a few of the tunes with my wonderful
trumpet player Russ Johnson. |
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