Jazz and Classical Interviews
Front Page Jazz and Classical Interview Archive
Barbara Dennerlein Adventures
Have a good glass
of wine, or a soda or cup of tea and settle in as we explore once again
the life of Barbara Dennerlein. Our conversation
began with her concert in the Church of St Martin in Dundelange in May,
when she played the pipe organ. It was a collaboration with saxophonist
Laurent Pierre.
She says,
“Besides the Hammond organ I play a lot of pipe organ. |
Ada Rovatti & Randy Brecker
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Gretchen Parlato & Flor
Ten years ago, she told this writer, “The goal
of art is to reflect who you are and to reflect your life. It has been a
process for me to get to that place and to realize that it is okay to
not try to sound like anyone else or to try to be like anyone else. It
is just being completely honest and open and vulnerable. I want to be
versatile, but I also want to sound like me.”
Did she still feel the same and does her new
album Flor (her quartet has the same name), reflect that same
sentiment?
She enlightened us, “I am pleased with my thirty-five year old self for
saying that (she laughs lightly). I would agree, that was my path then
and it was my self-realization then. It is definitely a continued path
now. Our art is a reflection of our life, so my life now and for the
past seven years of motherhood is very different than when I was
thirty-five, single, independent, and |
Diane Marino at Her Best!
Marino talks about her decision to delve into
Lynne’s catalogue, “I wasn’t too familiar with her, but I heard the name
years ago. While I was doing a gig up in New York my drummer was Vince
Ector and he was Gloria’s drummer for the last fifteen years of her
life. He knew all of the material very well.
We were doing a tune called “I Am Glad There Is You,” which I
recorded on another album many years (earlier) and I didn’t realize it
was one of her signature songs. When we played it on the gig Vince told
me that. Then he said her big song was “I Wish You Love,” and that I
know and I sing it too. It got the wheels
turning and I investigated her catalogue of music. I thought these are
really cool tunes. I had not heard a lot of them. She also recorded a
lot of standards, but the songs that we picked out for this CD I had
never heard before.” As for why this particular selection of songs
she says, “It is a combination of the song and how she sang them. It is
great stuff. How do you put your finger on how it struck you
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Celia Berk - Manhattan Serenade
It is about a woman who was born in Manhattan and grew up on Long
Island, before eventually moving back to New York City, as an adult. As
a young girl her mother would take her to the Opera on Saturdays and
Celia Berk’s father inspired within her a love for the Great American
Songbook.
“My mother took me to the Opera and she started out when she first came
to the city and they had a subscription at the Metropolitan Opera.
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Lisa Hilton Lucky All Along
Lisa Hilton set
aside an hour of her time and spoke to us from her Malibu home, from
which she can watch the dolphins play and where she composed this, her
30 th album. It has both a missive about finding our way, even through
dark times, through struggles and emerging on the other side intact and
still pursuing our dreams. It also pays homage to women in music, to
those who perform, to those who compose and in some instances to those
who do both. Not just with this album, but with previous
ones, Lisa Hilton has nodded in the direction of Joni Mitchell, Janis
Joplin, Ann Ronell and Lana Del Rey. For Lucky All Along, she
arranged “Snow On the Beach,” written by Taylor Swift, Lana Del Rey and
Jack Antonoff. “It
is a gross
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