Riveting Riffs Logo One Deer Fellow - Cinematic Pop Folk
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Imagine if you will a couple of gamers meet online while intensely competing against each other and then develop a crush and decide to meet. Well, that is not at all how things happened with Alyssa Kelly and Matt Salois who now call Austin, Texas home.

Alyssa says, “It is a very classic Austin musician meeting about eleven years ago. We both liked each other’s sets at an open mic and Matt came up and introduced himself to me. It was my first night at open mic, but Matt was a regular. A couple of months later we sang together a cover song at the open mic.”

They are not native Austinites, but both have been in the Texas city long enough to claim it as home, with Alyssa having moved from Kansas City Missouri, thirteen years ago and Matt was born in San Deigo, but grew up in Houston, prior to moving to Austin in 2009. That is a long way to go to find your musical selves and to marry someone, although it was not planned that way.

They stopped by to chat about their recently released album Hues and Matt Salois explains why that title was picked. Deer Fellow Interview Photo Two

“It started with the song “Beautiful Gray” and that is about this in between will they or won’t they start a relationship. The feelings with that we incorporated into “Beautiful Gray,” just like it is not black and white,” says Matt, before Alyssa adds the word, “haziness,” which Matt echoes.

Continuing Matt says, “The titular track Hues was actually based off a video game Hue, which is a video game about getting through obstacles and challenges, by manipulating backgrounds and colors or things that are in your way or changing a landscape, so you can see something you didn’t see before. It is all about the emotions tied to different colors and the perspective you can get depending on what you are feeling that day or that week or the mood that you are set in. The song “So Low,” is about depression and is blue.

The good thing about video games is you do not have to play video games to understand the concept behind it. The video game is an inspirational metaphor  how the way emotions help you navigate what you are doing and how you are feeling.”

Alyssa adds, “There are a couple (of songs) that lean romantic, because we just got married in November (2025). There are two that were positively romantic. My “Beautiful Gray,”  I would not say is positive, but it is about romance. We tried to get a lot of different emotions and perspectives on the album.

I wrote that song about 10 years ago. I saw some prose that someone had written on Tumbler, about love in a hazy, in between spot. I thought I really like that and I am going to make a song about it. It is not about me at all. It is one of the first ones we started to sing together. Then we put it on the shelf for a long time and for some reason we brought it back and I am glad we did. I think it is one of my favorite ones that I have written. Will they, won’t they. One person is all in and the other person isn’t.

The previous recording was a 2023 EP called Unraveling and it too was inspired by a video game.

Matt explains, “I grew up playing video games and I didn’t for awhile, but when COVID hit and we were having so much downtime at home, I picked back up on it and I started playing these little indie games that friends recommended or somehow, I heard about. There is one called Unravel and it is about these two yarn characters and it would seem that their yarn coming undone was a problem, but it actually helped them to achieve all of their goals to get through levels. It was like oh you made a rope or you made a bridge. You tied together with your partner, so you could sling over a gap, We used that to show anxiety or just being heard and it is therapeutic. You think I feel that way too and with all of those solidarity feelings.”

Alyssa chimes in, “I tried to play this game and I am very bad. With the branding of the album, we did some yarn pictures.”

Contrary to what people might think, Alyssa says, “We have been playing music together for ten to eleven years, but we don’t write together. Usually, if I am singing, I wrote it and if Matt is singing, he wrote it, with the exception of “Easier,” which is the first song we wrote together and we wrote that last summer when we were in Yellowstone National Park. We were driving down winding roads that were very dangerous.”

Matt continues with the story, “I had a guitar in the passenger seat while we were driving and I was coming up with vocal melodies and lyrics (kids don’t try this when your parents are driving). Typically, we write separately and then bring the song to the other person and we make a few tweaks here and there.”

We could  not accept this for just what it is and instead posed the question; what is going to happen if you decide you want to create an instrumental?

Alyssa replies, “That will probably require a little more collaboration.

I am very slow with my writing process. It takes me months to a year to finish a song and partly because I don’t actively make time to sit down and do it. When I do usually, I am looking to find a chord progression first and then melody. That will inspire a concept for lyrics. Sometimes I will start with a lyric line that has somehow fluttered into my head. Usually, I start with the music first.”

And you Matt?  “I usually start with the guitar first and then fill in some blah, blah, blah vocal melodies and then come back later when there is a concept that I want to say and fill the words in with.”

Alyssa acknowledges that Matt is a very fast songwriter.

Matt elaborates, “I do write a lot quicker than Alyssa does. I would say too many (songs), too often, so it is hard for me to pick a song to move forward with. There are a lot of options in my song bank.”

“You get really in the zone. (Her voice deepens) His brain won’t go anywhere else. I must finish this song,” she says, gesturing comically.

Matt continues, “I usually revise (the song) for a week or so until I feel like it is really done. The instruments and that come later.”

We ask them to talk about the song “Fool For You,” that leans more into Cinematic Pop than it does Folk, upon which Matt Salois sings lead.

“The chorus came first and once I knew I wanted that chorus I filled in all of the verses and bridge with lines about being a buffoon. (Matt, you forgot the puppet!) It leads up to (the lengths to which you) will go to impress somebody and to win them over, as a love interest,” (he quotes lines from the song and no we are not going to tell you the lyrics, buy the music!)

“It is more like the Great American Songbook style of writing,” Alyssa says, putting the words into air quotes. Deer Fellow Interview Photo Three

Matt picks up the thought, “So, it feels more like the standards and a little more old- school, fashion style,” as they acknowledge in unison that the Great American Songbook is an influence on their writing.”

“I grew up listening to the oldies radio station every morning, while getting ready for school. My parents also had it on in the car a lot. I listened to the music of my time as well.

Thanks for listening to good music mom and dad!” says Alyssa.

Matt adds, “The music was better back then.”

With a really big smile Alyssa says that their harmonies seemed to come to them naturally and boy it has been decades since you have heard harmonies this good.

Matt says, “It took me a bit to know that I could harmonize, but as soon as I opened that gate, I loved it and it never stopped.”

Austin is a city not known for duos and can hardly be described as a place that is awash with Cinematic Pop with Folk influences, so how have you found this musical ride?

Alyssa thoughtfully says, “It has been very hard. It is very saturated.”

Matt finishes the thought, “In population and musicians.”

“I think  our sound is pretty niche. That fact we are a duo is pretty (niche), because it is a band focused town,” Alyssa says. 

Surely though, you must have an audience with a sound that may be niche, but is wonderful.

“We are slowly chipping away and people are slowly getting to know who we are. It is hard to fast track success in a niche genre. When somebody comes up to us after a show, I think yeah, you get us, you understand,” says Alyssa.

Matt says, “We try to write songs that are a little bit different and feel less recycled and not like the top forties template.”

One of those more unique songs is “Cold-Blooded.” Has Truman Capote come back from the dead?

Matt begins, “That one is just a hate letter to all of the haters. It is about the haters who get off on bringing people down and that we have all met in our lives. People who are mean for no reason and just for the sake of it. People who are always contradicting you and making you feel lesser then, just for their own enjoyment.”

“It is about the snaky people and you can swear they are reptilian, because they have claws and cold blood in their veins. There is a line like that in one of the verses.

Everybody has someone in mind when they hear the lyrics. It is about that person,” says Alyssa. 

Alyssa takes the vocal lead for the song “Invisible.”

“This one is about social anxiety and (people being) introverted. It is about not being seen or heard. I wrote it about some of the people in the open  mic that really didn’t care about me as a person. It was just performative,” explains Alyssa.

Matt agrees and says, “You have a line exchanging pleasantries, but no one gives a damn, which I think applies to a lot of different industries. I like the first line, drowning in a crowded room.”

Alyssa expands on that thought, “Now it is about our music in this internet world and clawing through all of the noise just to get our music out.”

The song is born out of their own experiences and Alyssa explains why, “I was painfully shy. To this day I still get super, super embarrassed performing instrumentally, just piano or just violin. There is something about singing that I feel like I can just do it without feeling nervous. I think part of it is that we have each other to lean on and it helps.

There is comfort in knowing that if we mess up, we mess up together. M: And if we triumph, we triumph together. It took me a long time to get over the stage fright nerves. I still deal with them, but I have gotten a lot better.

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This interview by Joe Montague  originally published August10th, 2026 and is protected by copyright © and is the property of Riveting Riffs Magazine All Rights Reserved.  All photos and artwork are the the property of  Deer Fellow unless otherwise noted and all  are protected by copyright © All Rights Reserved. This interview may not be reproduced in print or on the internet or through any other means without the written permission of Riveting Riffs Magazine.