Liverpool Rocker Maxi Dunn
Pulling
from numerous musical influences including Trip-Hop, Rock and Pop,
singer – songwriter Maxi Dunn who hails from Liverpool, England has a
potential chart busting song on her brand new CD
The Neglected Gambit. The
title song, falls somewhere between The Pretenders and Blondie, with
lots of Power Pop influences.
Backed by the driving guitar of fellow U.K. artist Peter Hackett
who also produced the album, Maxi Dunn’s vocals flat out rock, as she
proclaims that she has a good heart and a soul and then she asks the
question “will someone please
share my love?” This is
not a song that is focused on pity, but quite the opposite, it is about
a woman who has come to the realization that she has a lot to offer and
she is worthy of someone who is prepared to return that love in kind.
This is an anthem, not a brokenhearted tune.
Ms. Dunn is an eclectic singer – songwriter and her
musical choices on this album reflect that with the softer pop melody
“Baby,It’s So Wonderful,” as the listener eavesdrops on an intimate
confession of love and longing from the singer to a former lover.
It is a song that recalls good
memories that are revived by the sound of his voice.
The acoustic guitar
accompaniment on the organic “Messed Up,” keeps the focus on the angst
of Maxi Dunn lamenting how she messed up her life, while her lover
messed up her heart. Electronic sound effects and light snare drum rolls
keep the music interesting.
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..Boom! With Liz and Ann
Boom!
the current album by Liz Callaway and Ann Hampton Callaway, recorded
during their Birdland concert in New York City, is all about the music
of the baby boomer generation and it is a wonderful celebration of
music, of memories and of sisterhood. Liz Callaway who has starred on
Broadway as an actress and singer for many years and Ann Hampton
Callaway is one of today’s most respected vocalists as well as being a
highly regarded songwriter.
Throughout both the music and
the memories that Ann and Liz share from the stage and most often
humorously, Liz is portrayed as the more conservative and straight laced
sister, while Ann is depicted as the nonconformist.
Their repartee is spiced with
anecdotes from their childhood, teenage and early adult years.
Yet it is the vocals that stir
the soul during this concert recording with performances such as Ann’s
rendition of Joni Mitchell’s “A Case of You.”
While she sings, “Oh
I could drink a case of you my darling / And I would still be on my feet
/ I would still be on my feet,” the listener is left with the
feeling that you are hearing an intimate conversation, during which one
lover is pouring out her heart to another, as An accompanies herself
elgantly on the piano. There are
many reasons why you should purchase Boom! and Ann’s vocal performance
on “A Case Of You,” should be the only reason that you need, but then
there are equally sparkling performances by Liz Callaway on this album
as well.
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Eliane Elias Is Lighting A Fire
Elegant
is one way to describe Light My
Fire, the new album release by Brazilian pianist-singer-songwriter
Eliane Elias, who while still in her teens was mentored by fellow
Brazilians, singer-songwriter Toquinho and Vinicius de Moraes who
co-wrote and served as the lyricist for Antonio Carlos Jobim.
While heavily influenced by Jazz
it would be far too limiting to describe Elias’ new album as simply a
Jazz recording. The elements of Pop and Adult Contemporary are evident
throughout the songs.
Breathtaking is the word that comes to mind while listening to the title
song, as Ms. Elias accompanies herself beautifully on piano, while
bassist Marc Johnson’s and drummer Paulo Braga’s playing is so subtle,
it is like whispering in your lover’s ear.
Eliane Elias’ voice is seductive and her phrasing is evocative.
The
second song on Light My Fire,
“Stay Cool,” possesses an airy, upbeat melody, incredible percussion by
Marivaldo dos Santos and a stirring performance by Ms. Elias on the
piano. “Stay Cool,” sets the mood for an album that is romantic, at
times, as she takes time flirting with, teasing and seducing the
listener.
Several of the songs on this delicious album are over 4:00 in length and
yet never does the listener grow weary. Quite the contrary, the listener
is left wanting more, such as the lively “Toda Menina Baiana,” a song on
which Eliane Elias is joined by vocalists Gilberto Gil and Ms. Elias’
daughter Amanda Brecker.
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Maurice Williams: 50 Years
It
is appropriate that legendary singer – songwriter Maurice Williams and
today’s version of the Zodiacs should begin their new album
50 Years, with “Little
Darlin’ (The Beginning),” because for Maurice Williams, who wrote this
song, it marks the beginning of a career that has spanned more than
fifty years in the music business. The new recording of the song, really
serves as a ballad about Maurice Williams’ career, or at least the
beginning of his career, as it tells how the song “Little Darlin’,”
launched the careers of what was then known as The Gladiolas, after
their name had been changed from The Royal Charms, by Ernie Young of the
Nashville label Excello Records. Still only sixteen years old at the
time, Maurice Williams would watch his song peak at # 11 on the American
R&B charts. The song would later be recorded by the Canadian group The
Diamonds; however, Maurice Williams retained all of the rights to
“Little Darlin’.”
What is truly amazing about
this album is how well Maurice Williams’ voice has held up after all of
these
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Judy Wexler Sings About Love
Jazz
– Pop vocalist Judy Wexler’s new recording Under A Painted Sky,
is a beautiful collection of songs, with fabulous arrangements
and elegant vocals that will bring fans of romantic ballads
under her spell. The very pretty and petite Ms. Wexler appears
on the cover of her album, reclining and the mood is relaxed,
reflecting the tone of songs such as the opener “Wonderful
Wonderful,” for which pianist Alan Pasqua, bassist Darek Oles
and percussionist Alex Acuna create a subtle, pastel landscape.
There
is longing in Judy Wexler’s voice as she sings Abbey Lincoln’s “And How
I Hoped For Your Love,” as she recounts the beauty of experiencing love
that arrives unexpectedly and how it just as quickly departs, leaving in
its place an emptiness, but not despair. Ms. Wexler draws the listener
into the emotional heartbeat of the song, as she softly sings, “And
then we met / I can’t forget / How we laughed / And then suddenly the
end.”
With
this album, Judy Wexler explores the various moods and aspects of love,
including an older woman who is attracted to a younger man, as the
relationship or the hope of a relationship is reflected with the
metaphor of the seasons; summer representing him Read More
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..Crying My Whole Heart Out...
Let’s
hope that singer – songwriter Julie Hardy’s EP
Clementine grows into an
album, because this is a really good collection of songs, performed and
written by an artist who has completely reinvented herself and who has
done so in spectacular fashion. This writer first got to know Julie
Hardy about six years ago after the release of her Jazz album and that
was a good outing as well, but it appears that New York City based Ms.
Hardy’s light is about to shine more brightly on the Pop music scene.
The feel of these songs is somewhere between Sara Bareilles
(“Love Song”) and Canada’s Meaghan Smith, who earlier this year was the
recipient of Canada’s most prestigious music award the Juno and in her
case, for Best New Artist and on “Up Here,” there are reminders of Sarah
McLachlan. That is pretty good company for Julie Hardy and the songs on
Clementine give us every
reason to believe that she can achieve the same success as the three
aforementioned artists.
Julie
Hardy turns in one of the most heartfelt performances with the songs on
Clementine, as it opens
innocently enough with the vintage sounding “Crying My Whole Heart Out,”
a song that begins quietly and segues into thundering and edgy bass
guitar riffs by Mike MacAllister, which are juxtaposed to Julie Hardy’s
quieter lament, “You’ve taken the
best of me.”
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