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Creators of Angelina Ballerina
I started writing
when I was a child, because I always liked to make up stories and right
them down. I was the family storyteller. I grew up with three sisters
and we were always acting out stories, making things up and dancing
around the house. I just loved writing. I was writing about horses and
princesses at that time. I was reading anything about animals. I think
my favorite book as a child was Charlotte’s Web, because she could
understand what the animals were saying to each other. In those days there wasn’t TV so I was reading
all of the Oz books (editor’s note: initially by L. Frank Baum
and following his death later the mantle was taken up by authors Ruth
Plumly Thompson, John R. Neill, Jack Snow, Rachel R.C. Payes, Eloise
Jarvis McGraw and Lauren Lynn McGraw and for a total of forty books.)
My father would read aloud to us all of the tales of King Arthur.
It (writing) was something I
continued in school and then when I was in college in Vermont, I was a
literature major. There was a lot of creative writing. I wanted to
become a writer, but honestly, I had no idea of how to become a writer. It wasn’t until I
had children, two daughters and later on a
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Dar Williams - Prolific Songwriter
We open our
conversation with Dar Williams inviting her to talk about one of the
prettiest songs you will hear in 2025, “Tu Sais Le Printemps.” “The best way to
go about writing a song and if you feel something coming on, is to do
your best to feel curious about it. This seemed light, breezy, spring
like and romantic. I thought well let’s just keep on going. I pulled out
(she laughs lightly) all the pictures of France, pictures of spring, of
gardens and bridges and then I looked at them to see where the story
(was going). My favorite part is the dog standing outside of the
restaurant (she chuckles
– referring to the music video).
It is a French bulldog and then the aerial views of France and the
cherry blossoms. The song is left open and evocative for people. You
can’t help to find your way back to love or to love in that kind of
setting. I had this interesting melody that kept on
being the best setting for a return to romance, as aided by the spring.
When I wrote the line, “And of maddening times, we will laugh and say
that’s how it goes…,” I
actually had a really emotional understanding of how much of my
heartaches I had let go and they had transformed into humor and
friendships in my own life. There is kind of a lightness to letting go
of all of that,” she explains.
We would be remiss if we did not mention the musicians who are the music
accompaniment to the cinematic
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Electronic Firefly
Electronic Firefly
website
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Tawny Ellis - Edge Of The World
It has been five
years since Tawny Ellis released her last album and there can be many
reasons why, especially with someone this busy. She opens up, “Honestly, I think I got really
gun shy. Something shut down on me, because I had worked on that album
for quite some time. I released it in 2020 and I had signed up to go on
tour in Europe and open for a really great artist over there. They shut
down the whole world (due to the COVID pandemic). The day that I
was supposed to get on the plane to go to the U.K.
to hook up and go on the tour and to play all of these shows they
shut everything down and nobody could go anywhere. I felt like I had
just flown a plane into the mountainside. It was horrible. We had packed
everything and promoted and all the gigs were laid out. I am a really
sensitive person and it was so hard. You can’t really re-release an album and I got really disenchanted with the world at large. When I went to write I felt like I had so much to say, but I couldn’t figure out how to say anything. I couldn’t really relate to humanity. I felt like they were at each other’s throats in so many ways. Everybody was turning on each other. I (became) really disillusioned and so I started writing some things three years |
Award Winning Actress Luz Nicolas
For those not
familiar with the play adapted by Manuel Puig from his 1976 novel and
later made into both a film and a musical, she explains, “It is about
two men in jail, but they develop a character of a woman. It is a
fascinating (story). Manuel is an Argentinian playwright. There is also
a film with William Hurt and Raul Julia. I think that was in the ‘80s
(1985) [Editor’s note: The film also starred Sonia Braga in three
roles as Leni Lamaison, Marta and the Spider Woman] The story is about
two men who are in the same cell. One of them is there, because he is a
revolutionary who goes against the government and the other one is
there, because he is gay and he is also accused of being a pedophile. It begins with one of them talking about a
movie. He is telling a story about a woman. They get to know how
different they are, and yet at the same time, they are starting to
understand each other very well. They love and care for each other very
much. What he is sharing
with the other (person) is not about an actress. It is about a movie. One guy who is
struggling and is sick and his body is breaking down. The other man is
helping him by telling a story.”
As for how she
became involved in the play she says, “I have worked many times with the
director José Luis Arellano.
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Emily Zuzik - Age + Alchemy
In talking about
what she means in describing herself as a seeker she says, “That could
mean many different things. To seek out adventures, to seek out
experiences, to seek out love, to seek out a way that doesn’t hurt
people, to seek out spiritual. To just be sensitive to where you are in
any given environment and your interactions with other people. I think
as you get older you understand or you seek out different ways to make
sense of things that happened in the past or people you have had past
relationships with, good, bad or whatever. Seeking is the process of
growth,” then she adds smiling, “I am a Pisces. When I was younger, I always felt out of sync
you could (say) I was not cut from the same cloth as where I grew up.
That is a very simple way of looking at it. Even my peer group, I never
really locked in with people I connected with until much later. A lot of
times they were older people who had stories to tell or had some sort of
experience that informed what I was about to do (that she connected
with). I have had certain older relatives whom I connected with more
than other ones. I had older friends when I was younger. I think also
where you are is a continuum of things that will happen in the future
and things from the past. I have always been interested in that sort of
thing too. If
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Maia Sharp - Tomboy
This collection of
songs is beautiful and the album overall is elegant, both lyrically and
musically. “As most albums
unfold for me, I am not necessarily sure that I am writing for my own
album until I am one or two songs in. I am writing all of the time.
Sometimes I am writing for other people and sometimes I am writing for
me to pitch to other people. About every year I look back at what I have
written and if I do that about one year after a record, I can have the
next album out about two (more) years after that album. It takes me
about a year to do the finishing out, choosing the songs, recording,
mixing, mastering, marketing and all of that stuff. On all the odd years
when I don’t have a record that is when I start looking at when the next
one is going to be. At that point after my last album Reckless
Thoughts, I had Tomboy already. I had that song already
written and I had a little bit of production fleshed out on it, before
the Reckless Thoughts album. There was just something about it
that just didn’t quite fit in with the rest of those songs. I had always
loved it, but I just set it aside,” she explains. Knowing Maia
Sharp, not only as a regular guest at Riveting Riffs Magazine, but also
as a friend, we were curious if the song “Tomboy,” is somewhat
autobiographical.
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Las Tres Sisters Interview Part One
The opening scenes of Las Tres Sisters seem to set the film up
perfectly for the three distinct personalities of Sofia (Novello), Maria
(Cross) and Lucia (Maldonado). Actress, producer and screenwriter Valeria
Maldonado, sat down with Riveting Riffs Magazine over a Zoom call
recently, from her home in Los Angeles and we talked about her current
film, a dramedy, Las Tres Sisters now streaming on numerous platforms in
North America and it was preceded by a limited cinematic release. If
there was an award in the film and television industry for being the
most congenial person, we are quite sure that Ms. Maldonado would be one
of the top people considered. She is thoughtful, a smile seldom leaves
her face and she has this attitude of gratitude about her. Our conversation this time focused almost
entirely on the nine-year journey to get this film made with her
co-writers and co-stars, Marta Méndez Cross and Virginia Novello, who
were joined brilliantly in supporting roles by Cristo Fernández and Adam
Mayfield.
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Macartney Reinhardt - New Song
Macartney
Reinhardt describes this experience as, “I have co-written before, but
this is one of my favorite ones that I have ever done. I was on
Instagram one day and Stone messaged me saying I would love to write
with you and then he brought in Kylie. The first song the trio wrote
together was “Cowboy Without a Conscience,” released earlier this year
(2025). We really meshed from the beginning.” Although the song has a summery feel to it,
don’t let that fool you, because with a big smile on her face and her
dimples showing Macartney Reinhardt says “Two
Ships,” was written on one of the few days of the year when it
was snowing in Nashville. “I wanted to write a song about when you go
from being so close in a relationship and then after the relationship it
(feels) like you never knew that person. That has always been a strange
thing to me, how you can go from every day being with somebody and being
so close to him and then a breakup. It is like you don’t know him. Then
Kylie came in and she said I have this idea called Two Ships. She
asked do you think we could combine those. I said yeah, definitely. She
had taken it from Two Ships passing in the night that Henry Wadsworth
Longfellow poem. We just started working off
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Paul Rappaport - Behind the Curtain
“That is what I was trying to do. This was a very magical time, and I
wanted to share these stories and for the readers to have fun, like I
had fun. I wanted them to have the experience that I had. Somehow, I was
(blessed) with a photographic memory, because as you know from reading
this book, I am talking to Mick Jagger, Keith Richards and |
Alexandra Dean and the Judds
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Actor Ruben Yuste
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Anna Carvalho Loves Monsters
Seeming to have several projects on the go all at once, we decided to
ask her about two of them.
“One of them is a series that we started in 2023 and it is a horror
series. It is (comprised of) Portuguese tales that were in a book that
was launched in 2023. At that time, we realized in Portugal there were
not a lot of women working in horror. In Portugal horror is stigmatized
a little bit. One of the women (working in horror) was me. I was the
producer and director. My collaborators are Isabel Pina and Sandra
Henriques.
We thought let’s adapt some of these tales and create the monster, kind
of based on Frankenstein. It was working all of these tales and finding
out what they have in common,” she says and nodding yes when we ask,
“You were in the play about Mary Shelley’s Frankenstein, correct.”
Continuing
Anna Carvalho says, “Frankenstein is something I always wanted to do. I
love monsters, vampires and all of these types of things (You are
scaring us!). I thought it was really interesting, because I love
that kind of story. Being a part of the play, I got the part, so it was
fascinating for me. It was like candy for me, like a kid (she has a
big smile) woo hoo! It was like MacBeth (which she was also in) I
didn’t care who the company was, I just cared that it was MacBeth. It
was incredible. Again, with Frankenstein we had so much fun. Now
creating Fragments of a Body (Fragmentos de Um Corpo), which is
the name of the project. We called him a kind of Frankenstein, because
they are different tales and if you read the tales, they all have parts
of the body and even if it is parts of your mind, it doesn’t matter.
That is why we called it that, because we felt this was a big monster we
were creating. If we wanted a feature film, we would have to find out
how to build this monster. That is when we thought maybe this should be
a series. We already have a bunch of the tales shot. We have a huge team
that we put together quickly and now we are in post-production trying to
find some financial (investors). We are talking to people and we are
trying to finish the project.”
She directed three of the tales, produced, acted and adapted three of
the tales into screenplays. Of course she did that all of that. Was
there ever any doubt? One gets the impression that the busier Anna
Carvalho is the happier she is and the faster she goes. So, before we talk about one of your other projects in post-production, what is it like for Anna the director Read More |
Jesse and Noah Leave Love Alone
We jokingly asked
them about the song “Leave Love Alone,” and if it was a reference to a
relationship that went sideways. Jesse replied,
“That is an older song, so I don’t even remember. I started that song
with Simon Bruce, an Australian singer and songwriter who lived here in
Nashville for a while. We halfway finished it and he and Daniel Tashian
finished it and then it came back to me. Daniel was going to put it out
and then I didn’t hear anything for a while and so I thought I would
just throw it into this mix of songs that we were doing for our next
session. We thought we could do a pretty good job on it. We recorded it,
got it ready to go and he ended up putting his out around the same time
or maybe a couple of weeks before or something like that. He released it
mostly in Australia. I guess it is worldwide, because of streaming. The songs ended up
being so different and with different audiences, so they didn’t really
clash.” Produced by Pino
Squillace, engineered by Brandon Henegar and recorded at the House Of
David Studios in Nashville the song is a Country song, with Rock
influences and excellent musicianship. Those who have followed Jesse and
Noah over the years, should not be surprised that Noah serves up some
incredible electric guitar licks, while being joined by Lorenzo Piccone
and Steve Cirvencik (also on guitars). Jesse and Noah are talented producers and sound
engineers in their own right, so we wondered why they chose to have
other people produce and engineer the album Leave Love Alone. They laugh simultaneously, and Noah finally says, “We just got bogged down,” while Jesse adds, “Some of these songs we were producing and had versions of them, and we just couldn’t finish them being at home. It took a long time to get everything out. We started working on some of them in 2020 and we did some sessions at the ranch down in Florida. It seemed like it would be easier to go in (to the studio) and recut them from the ground up rather than Read More
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Ágota Dunai In the film Fight and Flight,
Ágota Dunai
says, “I played a flight attendant. I had flight attendant experience
before in another film, and they chose me,” Although she had a minor
role in the film she says, “I really hope it made it to the film. I
haven’t seen the film yet. There was one scene when the plane starts to
crash and there is a lot of shaking and someone falls down. Then I go
to the (person) and help him up. I ask if he is okay and ask if he needs
medical help. That was my speaking scene, but in many other scenes I was
packing, sorting and helping with seatbelts. Also, when there were fight
scenes, I was trying to protect the other passengers. There is one scene
when somebody gets cut with a chainsaw and there is fake blood scattered
on me. There are a lot of action scenes. I (also) worked with Josh Hartnett in The Fear
Index. It was nice to work with him again.”
With impeccable English, proficient in German and of course her native language
Hungarian, it would seem that the opportunities will soon be pouring in for a
genre she confesses to like, action films.
In the film Dr. Jason II Lights and Shadows, Ágota Dunai worked with the
award-winning Greek director George Tounas (Rush 4 – 2025, Reloaded and Reloaded
2) and she was in the lead role in this psychological thriller. (Tounas now
makes his home in Stuttgart, Germany)
“My character is a female lead called Jenna Knightley. I know these days there
are a lot of feminist heroes, but this film was not like this at all. This woman
was kidnapped and she is rescued by her love Dr. Jason. In this film I was the
victim who was waiting and hoping to be rescued. (editor’s note: spoiler alert –
you will have to watch the film).
Then I got rescued at the end (This is a spoiler). It was exciting and it was an
independent film in Germany. It is streaming, so people can watch it on Amazon
and other platforms. It is a psychological thriller.” As for her character, “I always (develop) a back story for the Read More
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Audray
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Peter Holsapple - Face of 68
Peter Holsapple says, “I am extremely proud of
the new record. The songs that make up The Face of 68 are largely
songs that were written after the release of Game Day, my last
solo record in 2018. What happened was my friend Carlo Nuccio from
Continental Drifters passed away from cancer in 2022 and I don’t grieve
very cleanly, so I wrote a song. Actually, I wrote a couple of songs,
but the song “Larger Than Life,” that I wrote and cut, felt good. I
thought it had been a few years, maybe the statue of limitations had
been lifted and it would be okay for me to do another record. I had a folder with about fifteen or sixteen
songs and I thought maybe there is something in here. Then I got Don
Dixon (producer) on the case and I wanted to do it different than
Game Day. Game Day was all me and that was fine and I don’t
have to do that again. I wanted to do it with this rhythm section and I
got a crack team, Rob Ladd (drums) and Robert Sledge (bass) and made it
a very tangible record. We could feel it coming out of the speakers, at
least if you play it loud enough, which I do.
I suddenly had a bunch of songs and I had a studio (Overdub Lane) six
minutes from my house. I had a producer in Don Dixon whom I dearly love
and have loved for a million years. I had a great engineer whom I had
worked with Jason Richmond. He had done the engineering for The Paranoid
Style stuff, the band that I play guitar with these days. It all came
together and pardon the pun, but we did it in record time. That really
felt good too, I didn’t have a lot of time to second guess myself. I had
Dixon taking that role. All I had to do was show up and sing my stupid
songs into a microphone and then we had a record. The studio is in
Durham, North Carolina.
I love working with Elizabeth Nelson and Tim (Bracy both of The
Paranoid Style). Elizabeth is a very singular songwriter. I never
got to work with anybody who is this interesting of a songwriter. If you
give a listen to a few of the songs on the Interrogator you will
immediately understand why I am saying that. I played on Interrogator
by The Paranoid Style and I have a guitar solo that I am very
proud of on that.”
From our perspective the song “Larger Than Life,” is the centerpiece of
the album The Face of 68, with thundering bass riffs, a great
melody, and drummer Rob Ladd laying down a strong foundation. We
particularly liked Peter Holsapple’s vocals on this song.
In many ways the song is reminiscent of 1970s Cream and Jeff Beck
or Deep Purple’s Smoke On the Water (from the Machine Head
album), with less gritty vocals. In fact, have we said how much we like
Peter Holsapple’s vocals on this song? The song ends on a spectacular
guitar solo by Holsapple.
“(The song) “Larger Than Life,” is about my friend Carlo Nuccio,
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